The theme is "Transformation." How fitting as I feel like I've been morphing and transforming this whole year - from cooking to modeling, from aspiring entrepreneur to artist. I just submitted 2 experimental pieces of 12 x 12 x 2 wood panels for the Maranda Pleasant Holiday Art Box Show. Neither of my pieces turned out as I had envisioned, of course. Nevertheless, this is a tres cool art event that I'm happy and excited to be part of for the first time. Art, food, wine, music. Perfect! I got a sneak peak and it's amazing to see how a 12x12 frame can be transformed into so many one-of-a-kind pieces of art!
I had spent a few weeks doing research and contemplating what kind of mediums to use: paper, pen, paint, natural dyes, henna, goatskin, and thick leather scraps. I asked lots of art questions and bounced my ideas with artists and friends. (Thank you!) I've been spending after hours at Jerry's Artarama, Tandy Leather Factory, and Hobby Lobby. In the last 4 weeks, I discovered Faber-Castell Pitt Artist Pens (instead of black Sharpie markers), rapidiograph pen sets, how to use and color gesso, how to stain and stretch goatskin with henna, coffee, tea, wine, and how to silkscreen. All of this is completely new to me and the projects were entirely experimental. I love the challenge of trying to do something I've never done before. Creating art is a risky business but the excitement of the unknown is thrilling. I think I am mastering the art of improvisation but I have a lot to learn in finding my creative voice. What is art what is not? ...if it moves you, it's art.
Reflections on my 2 experiments...
I had spent a few weeks doing research and contemplating what kind of mediums to use: paper, pen, paint, natural dyes, henna, goatskin, and thick leather scraps. I asked lots of art questions and bounced my ideas with artists and friends. (Thank you!) I've been spending after hours at Jerry's Artarama, Tandy Leather Factory, and Hobby Lobby. In the last 4 weeks, I discovered Faber-Castell Pitt Artist Pens (instead of black Sharpie markers), rapidiograph pen sets, how to use and color gesso, how to stain and stretch goatskin with henna, coffee, tea, wine, and how to silkscreen. All of this is completely new to me and the projects were entirely experimental. I love the challenge of trying to do something I've never done before. Creating art is a risky business but the excitement of the unknown is thrilling. I think I am mastering the art of improvisation but I have a lot to learn in finding my creative voice. What is art what is not? ...if it moves you, it's art.
Reflections on my 2 experiments...
"Meditation in Space"
As I was drawing the mandalas, I was meditating on the theme of "Transformation" and the meaning(s) of mandalas. I love the symbolism and the depth of the meanings of a mandala: the circle of life, a microcosm and macrocosm of the universe, a tool for meditation... It's fascinating how all things in nature are mandalas from the very nucleus of our body cells, to flowers, to our solar system. (also check out the Mandala Project) For this piece, I was attempting to transform my henna skills into a piece of art and drawing the mandalas was helping me find my center. It is of mandalas in space of different sizes and drawn freehand with sepia ink pen. I painted and sanded 4 layers of gesso and colored the gesso with coffee and tea. That was fun! Originally, I had sketched a large mandala in the center and one in each of the 4 corners. However, it turned out to be the opposite, a lot of white space and a few small random mandalas. This was a very mentally challenging project for me, especially because I had stayed up all night working on the henna pea-drum project and was already mentally and physically drained. I did not sketch a detailed drawing beforehand. I make it up as the tip of my pen touches the board. I had to be extremely focused with a perfect steady hand. It's being in a meditative space and a calm state of mind. It's finding patience and balance. The most difficult part of it all was knowing when to stop and let go. I could have spent hours adding layer after layer of details but I decided to stop when one of the mandalas got a little smeared. I was gutted but I had to accept it. I do like the simplicity and the contrast between the details of the mandalas and the openness of the white space. As Carl Jung might say, "it is a representation of my unconscious self." Forever transforming...
"Henna Pea-Drum"
I spent most of my time researching, planning, and testing this piece and had high hopes for it but I ran into a lot of obstacles along the way. It was a very long process involving heating whole cloves, a blowdryer, ammonia, henna paste, lemon juice/sugar sealant, and other miscellaneous stuff. I wanted it to be a warm henna peacock on a goatskin canvas illuminated like a lamp. But it didn't quite make it. While I was shopping for the light for my henna peacock lamp, the man at Home Depot said to me, "the project took on a life of its own, huh? That happens!" Art (and life) certainly has it's surprises! Even though you try to plan things out, things don't always happen as you hope and that's ok too! I guess I can say it's at least a drum with a henna peacock on it. Practical art. A Henna Pea-Drum. Why not? In fact, one of my favorite nights of all my travels was spent deep in the Sahara Desert camping, drumming, singing, and speaking English, Arabic, and French with Moroccans and Berbers. Totally exotic and in the rough...! I will not give up on the henna lamp and drum idea.
...and through all of this "art" world, what I appreciate the most...
the inspiration
the visual connections
the energy felt
the ideas exchanged
the vibes
the chemistry
the excitement
the chaos
the craziness
the dedication
the perfection
the support
the friendships
the passion and love of creative expression...


